MA Show 2016
MA Show 2016
MA Show 2016
MA Show 2016
MA Show 2016
MA Show 2016
Anthroposcenery

Found text*, projector, hi-fi, reflective foil, carpet, SD video, sound. Duration 3:00. Dimensions Variable. 2016

*Text: Listening to the Stars by Salomé Voegelin Published originally in  What Matters Now? (What Can't You Hear?), Noch #1 - April 2013, Vv.Aa. Edited by Daniela Cascella and Paolo Inverni http://www.nochpublishing.com/catalogue/whatmattersnow.html

Performed on the Sounding Out Podcast: https://soundstudiesblog.com/podcast/

Noise from Below detail
Noise from Below detail
Noise From Below, 2016
Noise From Below, 2016

Noise From Below, 2016. Projection, reflective foil, hi-fi system, carpet, LED lighting

Noise From Below
Noise From Below
The Anti-Void Installation shot
The Anti-Void Installation shot

Installation shot MA Show 2016

The Anti-Void

Single channel HD video. Duration 5:30

Collaboration with Yumino Seki 2016

Live Performance with Yumino Seki
Grunt Werk
Grunt Werk
Grunt Werk
Grunt Werk
Grunt Werk
Hot Fizz, 2016
Hot Fizz, 2016

Western culture's weird relationship with its environment. A plastic shopping bag containing water is suspended, via a scaffold tripod. The punctured bag drips on to a domestic hotplate, removed from its worktop. The entire assemblage sits atop an astro turf 'plinth bathed in lurid pink LED light.

Time Stretched (Transmissions of Noise Expanded)

Video taken from the installation of the same name

Bass Superstructure / Sub Culture, University of Brighton, 2015

Two works shown together as part of a work in progress show at the University of Brighton. Bass Superstructure - Steel sheet 2.5m x 1.25m, prepared 5ft strip light, scaffold, audio transducer, automated sequence. Sub Culture - Car audio subwoofer with amp, desk fan, pick up coil. 

Sub Culture, 2015
Sub Culture, 2015

Installation view

Bass SuperStructure, 2015
Bass SuperStructure, 2015

Installation view

Bass Superstructure Extended Dance Mix

Fender Jaguar 1969 Electric Guitar, Steel Sheet, PC Cooling Fan, Contact Transducer, Audio Amplifier

A Brackish Hymn - Art In Romney Marsh 2015
A Brackish Hymn - Art In Romney Marsh 2015

3 channel site specific sound installation and paper 'keepsake'. 

Utilising field recordings taken at Little Cheyne wind farm, A Brackish Hymn examines Romney Marsh through the dislocation of sound.

Collaboration With Cieciura/DeSousa  as part of the De La Warr Pavilion/Dear Serge Curation of St Mary's Church in Ivychurch, Romney Marsh, 2015

Rhythm out of Time
Rhythm out of Time

3 way collaboration between Cieciura/DeSousa, Graham Dunning and Caleb Madden to mark the De La Warr Pavilion/Dear Serge curation of St Mary's church in Ivychurch as part of Art in Romney Marsh festival 2015.

The work consists of a 12" vinyl record featuring on one side, a site recording of the installation A Brackish Hymn by Cieciura/De Sousa and Caleb Madden, on the other side A Brackish Dub - a re-amped recording of the Rhythm and Drone performance by Graham Dunning at St Mary's Church. Graham's performance utilised pre-cut dubplate recordings of the wind turbines used in the installation. This performance was recorded and mixed then re-amped in situ to create the final, 13 century church reverb soaked, document.

This work will be available to buy soon in a very limited edition of 10.

Trace. Tate Modern 2014
Trace. Tate Modern 2014

Trace is a sound commission for Tate Modern completed in 2014.

The brief for the project requested audio projects made specifically to be listened to on headphones within the Tate Modern galleries and building. The requirement was that it would be an engaging intervention for visitors of Tate Modern; to be listened to as they move through the different spaces of the building.

For the work I traveled to Fawley Power Station, near Southampton. The station (which has since ceased operation) was one of the last remaining oil fired power stations in the UK. This is the same type of station as the Bankside facility before its re-incarnation as an art gallery.

I used binaural microphones to record many sounds at Fawley, including close proximity recordings of the turbines in operation. you can read more about the project here, and and listen to the recordings here.

MA Show 2016
MA Show 2016
MA Show 2016
Anthroposcenery
Noise from Below detail
Noise From Below, 2016
Noise From Below
The Anti-Void Installation shot
The Anti-Void
Live Performance with Yumino Seki
Grunt Werk
Grunt Werk
Grunt Werk
Hot Fizz, 2016
Time Stretched (Transmissions of Noise Expanded)
Bass Superstructure / Sub Culture, University of Brighton, 2015
Sub Culture, 2015
Bass SuperStructure, 2015
Bass Superstructure Extended Dance Mix
A Brackish Hymn - Art In Romney Marsh 2015
Rhythm out of Time
Trace. Tate Modern 2014
MA Show 2016
MA Show 2016
MA Show 2016
Anthroposcenery

Found text*, projector, hi-fi, reflective foil, carpet, SD video, sound. Duration 3:00. Dimensions Variable. 2016

*Text: Listening to the Stars by Salomé Voegelin Published originally in  What Matters Now? (What Can't You Hear?), Noch #1 - April 2013, Vv.Aa. Edited by Daniela Cascella and Paolo Inverni http://www.nochpublishing.com/catalogue/whatmattersnow.html

Performed on the Sounding Out Podcast: https://soundstudiesblog.com/podcast/

Noise from Below detail
Noise From Below, 2016

Noise From Below, 2016. Projection, reflective foil, hi-fi system, carpet, LED lighting

Noise From Below
The Anti-Void Installation shot

Installation shot MA Show 2016

The Anti-Void

Single channel HD video. Duration 5:30

Collaboration with Yumino Seki 2016

Live Performance with Yumino Seki
Grunt Werk
Grunt Werk
Grunt Werk
Hot Fizz, 2016

Western culture's weird relationship with its environment. A plastic shopping bag containing water is suspended, via a scaffold tripod. The punctured bag drips on to a domestic hotplate, removed from its worktop. The entire assemblage sits atop an astro turf 'plinth bathed in lurid pink LED light.

Time Stretched (Transmissions of Noise Expanded)

Video taken from the installation of the same name

Bass Superstructure / Sub Culture, University of Brighton, 2015

Two works shown together as part of a work in progress show at the University of Brighton. Bass Superstructure - Steel sheet 2.5m x 1.25m, prepared 5ft strip light, scaffold, audio transducer, automated sequence. Sub Culture - Car audio subwoofer with amp, desk fan, pick up coil. 

Sub Culture, 2015

Installation view

Bass SuperStructure, 2015

Installation view

Bass Superstructure Extended Dance Mix

Fender Jaguar 1969 Electric Guitar, Steel Sheet, PC Cooling Fan, Contact Transducer, Audio Amplifier

A Brackish Hymn - Art In Romney Marsh 2015

3 channel site specific sound installation and paper 'keepsake'. 

Utilising field recordings taken at Little Cheyne wind farm, A Brackish Hymn examines Romney Marsh through the dislocation of sound.

Collaboration With Cieciura/DeSousa  as part of the De La Warr Pavilion/Dear Serge Curation of St Mary's Church in Ivychurch, Romney Marsh, 2015

Rhythm out of Time

3 way collaboration between Cieciura/DeSousa, Graham Dunning and Caleb Madden to mark the De La Warr Pavilion/Dear Serge curation of St Mary's church in Ivychurch as part of Art in Romney Marsh festival 2015.

The work consists of a 12" vinyl record featuring on one side, a site recording of the installation A Brackish Hymn by Cieciura/De Sousa and Caleb Madden, on the other side A Brackish Dub - a re-amped recording of the Rhythm and Drone performance by Graham Dunning at St Mary's Church. Graham's performance utilised pre-cut dubplate recordings of the wind turbines used in the installation. This performance was recorded and mixed then re-amped in situ to create the final, 13 century church reverb soaked, document.

This work will be available to buy soon in a very limited edition of 10.

Trace. Tate Modern 2014

Trace is a sound commission for Tate Modern completed in 2014.

The brief for the project requested audio projects made specifically to be listened to on headphones within the Tate Modern galleries and building. The requirement was that it would be an engaging intervention for visitors of Tate Modern; to be listened to as they move through the different spaces of the building.

For the work I traveled to Fawley Power Station, near Southampton. The station (which has since ceased operation) was one of the last remaining oil fired power stations in the UK. This is the same type of station as the Bankside facility before its re-incarnation as an art gallery.

I used binaural microphones to record many sounds at Fawley, including close proximity recordings of the turbines in operation. you can read more about the project here, and and listen to the recordings here.

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